Practice Art Farmer improv method religiously. Finish writing Jazz Noir material for 2016 recording. Create and learn fresh DMG sets: 11 tunes, 2 original. Pay health insurance first every month, no matter what. Walk or swim daily. Lose 5 pounds monthly, 60 by year-end. Increase number of workshops nationally from 54 to 100. Increase touring income by 20% while playing 20 fewer shows. Bump per gig average by 5% and increase total net income by 27%. Eschew cynicism, laugh often and see the best in people. When the time is right, get a dog!
The good news is more young people are coming to our concerts. The bad news is most of them rarely look up from their phones and hand-held devices.
It saddens me to look out at them from the bandstand, to see them there in the audience, sitting in the darkness, looking not to the stage but downward, their expressionless faces illuminated by cold blue light.
I want so badly for them to experience—truly and without distraction—the gift of a soulfully crafted melody.
I want to share with them the thing I love most: the pure emotional power of instrumental music, without the need for lyrics, explication or visual spectacle.
Am I naive? In today's world, is it even possible?
Dmitri Matheny Group JAZZ NOIR Michigan Tour Diary — Day 8 April 18 Interlochen
Today I returned to Interlochen Arts Academy for the first time in 30 years.
When I first came to Interlochen as a high school student in the mid-1980s, I loved it instantly. It seemed to me a magical place populated by social misfits and eccentrics, kids who, like me, were passionate about art and music.
Interlochen changed my life. For the first time I was surrounded by creative people my own age. Interlochen was where I learned the discipline required to build a life in the arts, and where I learned how rewarding an artist’s life can be.
Jazz was still something of a novelty at the academy back then. It's gratifying to see how much the school, and in particular the jazz program, has grown since those days.
Heartfelt thanks to my friend Bill Sears, director of jazz studies, for inviting me to come and spend the afternoon with his improv and combo classes.
Bill is a phenomenally gifted musician and educator. His students are serious and dedicated. Several of them already play like pros.
It was a giant joy for me to sit-in with them, present a workshop, and share some of my experiences as an IAA alumnus and working musician.
On a more personal note, coming back to Interlochen after all these years was soul-stirring. To spend the night in the campus hotel, dine in the cafeteria with the students, sit by the lake, stroll the grounds, see my old haunts, and share it all with Sassy, filled my heart with joy.