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SAGEBRUSH REBELLION: Pre-Order

SAGEBRUSH REBELLION: Pre-Order

Immediate MP3 digital download plus free shipping throughout the continental US as soon as CD arrives from factory (on or before August 9, 2014).

SAGEBRUSH REBELLION

1. It Could Happen To You
2. Petite Belle
3. Hit The Brakes
4. Here's Looking At You
5. Little Jimmy Fiddler
6. Warm Valley
7. One For Daddy-O
8. Red Reflections
9. Sagebrush Rebellion

Dmitri Matheny flugelhorn
Nick Manson piano
Justin Grinnell bass
Duncan Moore drums

DESCRIPTION

Sagebrush Rebellion, Dmitri Matheny's tenth album as a leader, is scheduled for international release in August 2014 on the Papillon Recordings/BluePort Jazz label. The quartet recording showcases new originals, jazz classics by Johnny Burke and Duke Ellington, and favorite compositions by Charlie Haden, Steve Swallow and Nat Adderley. Celebrated for his warm tone, soaring lyricism and masterful technique, Matheny was first introduced to jazz audiences in the 1990s as the protégé of legendary flugelhornist Art Farmer. Matheny has since matured into "one of the jazz world's most talented horn players" (San Francisco Chronicle).

LINER NOTES

It Could Happen to You [7:27]
Johnny Burke, James Van Heusen
Sony/ATV Harmony

Petite Belle [8:14]
Steve Swallow
Second Floor Music
 
Hit the Brakes [7:02]
Justin Grinnell
Grinnell Music (ASCAP)
 
Here's Looking At You [7:14]
Charlie Haden
Liberation Music Company c/o Reed Smith
 
Little Jimmy Fiddler [5:55]
Bill Lee
New Version Music
 
Warm Valley [2:11]
Duke Ellington
Sony/ATV Harmony
 
One For Daddy-O [6:31]
Nat Adderley
Dillard Music
 
Red Reflections [5:27]
Dmitri Matheny
Matheny Music (BMI)
 
Sagebrush Rebellion [6:27]
Dmitri Matheny
Matheny Music (BMI)
 
Produced by Dmitri Matheny
Recording engineer: Jim Merod
Mastering engineer: Steve McCormick
Recorded November 29, 2013 at Dizzy's in San Diego, California
Art Direction by Ballyard Design
 
Dedicated to Art Farmer
 
© 2014 Papillon Recordings/Matheny Music. 
Distributed by Blueport Jazz. 
All rights reserved. 

Across more than thirty years of tracking live jazz in New York, Los Angeles, San Francisco, Boston, Chicago, Sarasota, San Diego and Europe, I’ve recorded a who’s who of trumpet and flugelhorn players: Clark Terry, Art Farmer, Sweets Edison, Freddy Hubbard, Tom Harrell, Red Rodney, Woody Shaw, Wynton Marsalis, Gilbert Castellanos, Brian Lynch, Claudio Roditi, Conte Candoli, Snooky Young, Joe Wilder, Doc Cheatham, Bill Berry, Roy Hargrove, Bobby Shew, Jerry Gonzalez, Allen Smith, Shorty Rogers, Kornel Fekete-Kovacs, Ron Stout, Carl Saunders, Johnny Coles, Eddie Henderson and Stacy Rowles. 

Veteran of every jazz mode and mood and moment throughout the majority of the grand jazz tradition, pianist Hank Jones noted to me one afternoon in La Jolla that trumpet players are the “backstops” of jazz. Even though I was alert to his baseball reference, since I was a shortstop and a catcher in my youth, I was startled by his comparison. “Well, you know,” he added, “catchers control their pitchers, are on-field managers, and think one pitch ahead of everyone.” 

I did not get his full meaning. Always mischievous, the great man looked at me in mock surprise. “Like catchers, trumpet players are emboldened by their roles. They oversee it all and hold it over everyone’s head.” 

Twenty-five years later, Hank’s comment makes complete sense. Of the many trumpet and flugelhorn players I’ve spent significant time with, a majority carried the swagger and authority he named. Of those who (like Joe Wilder) augment an ensemble rather than dominate it, Dmitri Matheny occupies a position of benevolent spiritual beauty. 

This is one of my favorite recordings. 

I hope listeners enjoy the depth and delicacy of these songs crafted with Dmitri’s flugelhorn mastery. 

—Jim Merod / BluePort Jazz / La Costa, California