Morgan Freeman, my favorite actor, has a very distinctive speaking voice. He speaks with quiet confidence, calm reserve and comforting authority. There's compassion in his delivery and gravitas in his measured tones.
Mr. Freeman's voice is so compelling that anything he says rings true. And when he speaks, you cannot help but listen.
I want to play the flugelhorn
the way Morgan Freeman speaks.
When I feel stressed, I set aside my aspirations and ambitions for awhile to focus on other people, get out into nature, or spend time with friends. And when chaotic and competing demands overwhelm me, I just sit still and do nothing.
Counterintuitively, inaction is often the best course of action. In the silence, clarity may be restored before the dance begins anew.
Like many independent jazz labels, Monarch Records was a labor of love. None of us got rich, but we had fun and were able to make available some quality music by Cedar Walton, Dave Ellis, Eddie Marshall and others. We released dozens of recordings before the company was sold. I'm most proud of our live recording by Art Farmer, one of his last and our best.
As a bandleader, I think it's important that we rehearse, develop repertoire and refine our ensemble sound and style. At the same time, I try to emulate the Miles Davis approach: hire the best cats, give them lots of freedom, and embrace the music, wherever it leads.
Grant & Matheny may be my favorite project. Darrell Grant is simply the finest musician I've ever had the pleasure of working with. His conception is so complete that playing with him in duo is like being supported by a full symphony orchestra. And the two of us are such great friends; we really have a ball together on stage.
Our repertoire includes everything from Spirituals to Sting to Samuel Barber, allowing us the opportunity to blend the intimacy and precision of chamber music with the vitality, freedom and spontaneity of improvisation. The result is an elegant 'chamber jazz' unlike anything you've ever heard.