Viewing: Art Farmer - View All Posts

A FEW THOUGHTS ON JAZZ & COMPETITION 

To my ears, “Jazz Competition” is an oxymoron. 

We’re going to have a contest to see who can be the most vulnerable? The most sensitive or sincere? 

To find out who among us can best lay bare our soul and play from the heart?

Every year on tour I hear dozens of excellent high school groups, all over the country, investing hours of rehearsal time, polishing the same Duke Ellington charts in preparation for the annual Jazz Hunger Games. 

While it’s gratifying to witness Duke’s music being disseminated so widely, I wonder if these young musicians might be better off exploring a larger repertoire of sounds and styles, learning to sight read, listen and improvise.

Of course, there is such a thing as “healthy competition” in the arts. Setting challenges and overcoming them is how we improve.

Competitive, however, is not the correct mindset for quality music-making. This art form is interactive. It’s about listening and openness. Conversation, not competition. ​


Personally, I don’t feel that I’m in competition with other artists. I’m competing with Netflix, spectator sports, video games, social media and all the other distractions that vie for your leisure time, attention and dollars. 

I welcome opportunities to work alongside and learn from my betters. I always try to surround myself with talents greater than my own. Art Farmer said “if you’re the smartest cat in the room, you’re in the wrong room.” 

One time Nicholas Payton dropped by my gig in San Francisco and schooled me on a ballad. It was like a ten-minute graduate seminar on understatement and grace. 

This week I had the opportunity to participate in a tribute to one of my longtime heroes, Tom Harrell, along with Joe Lovano, Kenny Werner, Sean Jones, Johnathan Blake, and several other world class musicians, including the man himself, who has never sounded better. 

Everyone involved was more capable and experienced than I. It was humbling but thrilling. I learned a lot and felt nothing but love and support in the room. There was no vibe. Everyone was there for Mr. Harrell.

Wynton Marsalis says a cutting session is like a debate. And debates have their place, especially in the classroom. But wouldn’t you really rather have a conversation? 

Personally, I think cutting sessions are a drag. Everyone posturing, posing, showing off, going for house. The atmosphere of a cutting session is like a Michael Bay movie full of explosions. I usually end up resenting the audience for enjoying such tripe. 

Here’s a challenge: let’s play lower, softer, slower -- with intensity.

Let’s play more soulfully. 

Let’s just play.

2016 RESOLUTIONS 

The year of Scout! Train puppy to be a good home dog and road dog. 
Coordinate distribution of Jazz Noir to radio and reviewers. 
Prepare fresh DMG sets. Focus touring mostly in the northwest region. 
Fewer gigs, higher fees, larger audiences. 
Get back to playing long tones every day. Make it a habit. 
Continue to eat right, exercise, lose weight and build muscle. 
Take good care of Sassy, Scout, Ninji, Boo and the Fortress of Sassitude.  
Plant a vegetable garden and a Japanese Maple. 
Don’t be afraid. Play your way. Find your voice. 
Get out from under the master’s shadow. It’s time.

2015 RESOLUTIONS | PROGRESS REPORT 


It's hard to believe that Q1 of 2015 is already behind us.
I set some pretty ambitious goals in January.
Here's where things stand today:

Practice Art Farmer improv method religiously.
I've been inconsistent in my practice. Will recommit.

Finish writing Jazz Noir material for 2016 recording.
Wrote 3 new charts. 2 are keepers. More to come.

Create and learn fresh DMG sets: 11 tunes, 2 original.
Done!

Pay health insurance first every month, no matter what. 
So far, so good.

Walk or swim daily. Lose 5 pounds monthly, 60 by year-end.
On track: eating right and walking every day. 
Down 16 pounds since the new year.


Increase number of workshops nationally from 54 to 100.
Way behind on this. Only 23 booked so far.
Redoubling my efforts.


Increase touring income by 20% while playing 20 fewer shows.
Fail. I'm working more but making less.
Net income YTD is 43% greater than in Q1 2014, but 40% short of goal,
and per gig average is only 88% of 2014 levels.


Bump per gig average by 5% and increase total net income by 27%.
Not looking good (see above). Need to improve these margins.

Eschew cynicism, laugh often and see the best in people.
They sure don't make it easy but I'm mostly grateful and happy.

When the time is right, get a dog!
Not yet...

RESOLUTIONS 


Practice Art Farmer improv method religiously.
Finish writing Jazz Noir material for 2016 recording.
Create and learn fresh DMG sets: 11 tunes, 2 original.
Pay health insurance first every month, no matter what. 
Walk or swim daily. Lose 5 pounds monthly, 60 by year-end.
Increase number of workshops nationally from 54 to 100.
Increase touring income by 20% while playing 20 fewer shows. 
Bump per gig average by 5% and increase total net income by 27%.
Eschew cynicism, laugh often and see the best in people.
When the time is right, get a dog!

 

 

 

New CD Sagebrush Rebellion Now Available For Pre-Order 

PRE-ORDER SAGEBRUSH REBELLION
For Immediate Download & Free Shipping


I'm delighted to announce that my new album Sagebrush Rebellion is now available for pre-order here.

The album will be officially released August 9 (to iTunes, CD Baby, Amazon, radio and retail) on the BluePort Jazz/Papillon Recordings label. We're staging CD Release Celebration shows in key markets around the country this fall.

In the meantime, for my friends and fans who pre-order now: you'll immediately receive an advance digital download of all tracks, plus free shipping throughout the continental US as soon as the CD arrives from the factory.

The CD features a terrific west coast rhythm section—Nick Manson, Justin Grinnell and Duncan Moore—and a great mix of music, including some new originals, classics by Johnny Burke and Duke Ellington, and favorite songs by Charlie Haden, Steve Swallow and Nat Adderley. 

Jim Merod, a close friend of my mentor Art Farmer and the director of BluePort Jazz, says, "This is one of my favorite recordings...I hope listeners enjoy the depth and delicacy of these songs crafted with Dmitri’s flugelhorn mastery."

I can't wait to hear what you think of our album. Here's the link.

Thanks for your continuing support!

~DM