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J'ACCUSE! 



A man with the unique ability to create — out of pure energy — literally anything he thinks of!

Whether he chooses to be creative or destructive, the only limits are his own willpower and imagination.

How to ruin the brilliant concept that made this unconventional hero so great?

Have him carry the most banal, conventional weapon there is.

Give him a gun.

AUDIENCE DEVELOPMENT 


“I think we musicians are emissaries.
Every time we go before the public,
we’re there to make converts.”
—Hazel Dorothy Scott

"Developing an audience feels like being a politician.
You've got to stand in front of the subway and
meet people and kiss babies and literally
convert people one after the other."
—Chris Botti

"An audience is the only group I can tolerate, and
the audience wouldn't be a group if it wasn't for me."
—George Carlin

ATTENTION MUST BE PAID 



I don't say he's a great man.

Willy Loman never made a lot of money. His name was never in the paper. He's not the finest character that ever lived. But he's a human being, and a terrible thing is happening to him. So attention must be paid. He's not to be allowed to fall into his grave like an old dog.

Attention, attention must finally be paid to such a person. You called him crazy... no, a lot of people think he's lost his... balance. But you don't have to be very smart to know what his trouble is. The man is exhausted. A small man can be just as exhausted as a great man. He works for a company thirty-six years this March, opens up unheard-of territories to their trademark, and now in his old age they take his salary away.
Are they any worse than his sons?

When he brought them business, when he was young, they were glad to see him. But now his old friends, the old buyers that loved him so and always found some order to hand him in a pinch--they're all dead, retired. He used to be able to make six, seven calls a day in Boston. Now he takes his valises out of the car and puts them back and takes them out again and he's exhausted. Instead of walking he talks now. He drives seven hundred miles, and when he gets there no one knows him anymore, no one welcomes him.

And what goes through a man's mind, driving seven hundred miles home without having earned a cent? Why shouldn't he talk to himself? Why? When he has to go to Charley and borrow fifty dollars a week and pretend to me that it's his pay? How long can that go on? How long? You see what I'm sitting here and waiting for? And you tell me he has no character? The man who never worked a day but for your benefit?

When does he get the medal for that?


~From Death of a Salesman by Arthur Miller


SOUND THE CALL 



Here are two photos of yours truly performing with the Interlochen Arts Academy jazz ensemble, taken nearly 30 years apart.

The top image is from our final "stud orch" concert at Interlochen's Corson Auditorium in Fall 1984. The bottom is from the academy's 50th anniversary tour to San Francisco's Kanbar Hall in Spring 2012.

Hard to believe that's the same person! (Even the horn has grown fat...)

THE FUTURE 


"If I want to walk out in the desert and heat up a can of beans on a fire, I still can. In those movies like Gattaca or whatever, the space age stuff is always all there is. But in the world there is never just one way of living. It's more like a big junkyard. Put it this way: I'm not afraid I'm going to end up on a space station in aluminium-foil underwear."
—Tom Waits

"And now the wheels of heaven stop
You feel the devil's riding crop
Get ready for the future:
It is murder."
—Leonard Cohen

"The future is like heaven. Everyone exalts it,
but no one wants to go there now."
—James Baldwin
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