In celebration of EARTH DAY I've posted 3 beautiful videos by the talented Norwegian landscape photographer Terje Sørgjerd.
THE MOUNTAIN features Sørgjerd's stunningly beautiful time lapse photos of the Milky Way, captured earlier this month atop El Teide, the highest mountainpeak in Spain.
Set to music by Italian pianist and composer Ludovico Einaudi ("Nuvole Bianche" from his album Una Mattina), the video offers a view of our earth and heavens like none I've ever seen.
THE AURORA pairs Sørgjerd's images of a brilliant Aurora Borealis display over a national park in Norway with ethereal film music by Lisa Gerrard and Hans Zimmer ("Now We Are Free" from their collaboration on Gladiator).
Gerrard's otherworldly voice, as she sings to God in her invented language, seems to me the perfect sonic complement to the mysterious aurora.
THE MARKET juxtaposes video of the Maeklong and Damnoen Saduak markets in Thailand with Katie Noonan's cover of the Gnarls Barkley hit "Crazy."
I remember the floating markets from my travels in Thailand and Cambodia. It's intriguing to see one of them again through the eyes of a visual artist, especially when accompanied by music with such a fascinating provenance:
The piece began as "Nel Cimitero di Tucson," an Italian movie theme created by the Reverberi brothers for a 1968 Spaghetti Western.
Half a century later, Gnarls Barkley (the American duo of Danger Mouse and Cee Lo Green) reinvents the piece, adding lyrics and a new hook.
Their single "Crazy" becomes a spectacular international hit, spawning over 30,000 downloads in the United Kingdom, placement in popular films, and dozens of other versions by artistsall over the world.
Australian singer Katie Noonan puts her own spin on the song, and this recording is the version selected by the intrepid photographer from Norway to underscore his colorful footage from Thailand.
Crazy, indeed. Sørgjerd's video speaks volumes, not only about the unique flavors of a traditional Thai market, but about our global marketplace in this increasingly interconnected digital age.
"It's at night, when perhaps we should be dreaming, that the mind is most clear, that we are most able to hold all our life in the palm of our skull. I don't know if anyone has ever pointed out that great attraction of insomnia before, but it is so; the night seems to release a little more of our vast backward inheritance of instincts and feelings; as with the dawn, a little honey is allowed to ooze between the lips of the sandwich, a little of the stuff of dreams to drip into the waking mind. I wish I believed, as J. B. Priestley did, that consciousness continues after disembodiment or death, not forever, but for a long while. Three score years and ten is such a stingy ration of time, when there is so much time around. Perhaps that's why some of us are insomniacs; night is so precious that it would be pusillanimous to sleep all through it! A 'bad night' is not always a bad thing."
~Brian W. Aldiss
All people are children when they sleep.
There's no war in them then.
They open their hands and breathe
in that quiet rhythm heaven has given them.
They pucker their lips like small children
and open their hands halfway,
soldiers and statesmen, servants and masters.
The stars stand guard
and a haze veils the sky,
a few hours when no one will do anybody harm.
If only we could speak to one another then
when our hearts are half-open flowers.
Words like golden bees
would drift in.
-- God, teach me the language of sleep.