It has been my privilege to work with a number of master musicians over the years. The lesson I learned from all of them is to follow their example, aspire to excellence, and pay it forward.
Now that I'm having some modest success of my own, I try to encourage young talent they way I was encouraged. As James Williams used to say, jazz is about passing the torch, from one generation to the next.
I credit my father [a naturalist and school teacher] and his hip record collection for kindling my childhood interest in music. There was great music on our turntable all the time, from Rachmaninoff to Ray Charles.
According to Dad, one time when I was about five, he was spinning Kind of Blue. I asked, "Daddy what's that sound?" When he answered, "That's Miles Davis, a jazz musician." I responded, "Well, that's what I want to be when I grow up!"
The story may be apocryphal, but Miles is still my man.
Toward the end of high school, I left home to attend a private boarding school in Michigan called Interlochen Arts Academy.
Interlochen was for me a magical place, populated by individualists, social misfits, and eccentrics — kids who, like me, were passionate about art.
I loved Interlochen. For the first time in my life, I was surrounded by creative people my own age: musicians, painters, actors, dancers...it was like coming home. Interlochen was where I learned the discipline required to build a life in the arts, and where I learned how rewarding an artist's life can be.
"You've got to know your limitations.
I don't know what your limitations are. I found out what mine were when I was twelve.
I found out that there weren't too many limitations,
if I did it my way."